Arun’s posterous

Thematic concert on Nov 25th 2009-featuring artists from India


This should be cool! For Indian classical music enthusiasts. 


Begin forwarded message:

From: nirmala rajasekar <nirmalarajasekar@hotmail.com>
Date: November 20, 2009 7:11:35 AM CST
Subject: Thematic concert on Nov 25th 2009-featuring artists from India

Dear all,
Hope you can join us on Nov 25th at the Hindu Mandir auditorium for a concert and dinner - Please see attached flyer. 
RSVP's to concertrsvp@gmail.com are requested so that we can have accurate information for dinner preparation -

Take care,
Nirmala

(download)

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Opportunity in SOA Enterprise Architecture/Development

For those who are able and looking for work in the area of Enterprise Architecture/ Development / SOA etc.,
You may want to contact:

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Good luck!

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WolframAlpha iPhone app

Check out this application:

http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=334989259&mt=8

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Kathak dance workshop by Pandit Birju Maharaj

Ritaji, This is excellent. My daughter will be attending  (Rima Parikh's daughter).
I have also forwarded it on to twitter - hopefully it will catch some attention.

arun,
curryup

On Sat, Oct 17, 2009 at 9:00 AM, Arun Batchu <arun.batchu@gmail.com> wrote:

---------- Forwarded message ----------
From: RITA MUSTAPHI <RITAMUSTAPHI@msn.com>
Date: Thu, Oct 15, 2009 at 5:10 PM
Subject: [india-town] Kathak dance workshop by Pandit Birju Maharaj
To: india-town@yahoogroups.com


 


RARE OPPORTUNITY TO ATTEND KATHAK DANCE WORKSHOPS FOR 2-DAYS ONLY, CONDUCTED BY THE LIVING LEGEND PANDIT BIRJU MAHARAJ FROM NEW DELHI, INDIA
Katha Dance Theatre is proud to announce the upcoming workshops by none other than the living legend of Kathak dance, the one and only Pandit Birju Maharaj.
Kathak dance form traces its origins to the nomadic bards of ancient northern India, known as Kathakaars, or storytellers. They performed in village squares and temple courtyards, mostly specialized in recounting mythological and moral tales from the scriptures, and embellished their recitals with hand gestures and facial expressions. It was quintessential theatre, using instrumental and vocal music along with stylized gestures, to enliven the stories. With the advent of Mughal culture, Kathak became a sophisticated chamber art. Patronized by art loving rulers, the practitioners of Kathak worked at refining its dramatic and rhythmic aspects, delighting elite audiences with their mastery over rhythm and the stylized mime. The technique of Kathak today is characterized by fast rhythmic footwork set to complex time cycles. The footwork is matched by the accompanying percussion instruments such as tabla and pakhawaj, and the dancer and percussionists often indulge in a virtuoso display of rhythmic wizardry.The dance movements include numerous pirouettes executed at lightning speed and ending in statuesque poses. The interpretative portion, based on tales of Radha and Krishna and other mythological lore, contains subtle gestures and facial expressions. Lucknow, Banaras and Jaipur are recognized as the three schools, or gharanas, where this art was nurtured and where the interpretative and rhythmic aspects were refined to a high standard.
Born in the family of hereditary dancers, Birju Maharaj is the torch bearer of the famous family, Kalka- Bindadin Gharana of Lucknow, which has been serving the art of Kathak dance through centuries. Pandit Birju Maharaj is a complete artist as he is a dancer, choreographer, composer, poet, painter, singer and also a superb drummer. He has given a new dimension to Kathak dance, by experimenting this technique in the application of dance-dramas, that has become very successful as a medium for mass propagation. Pandit Birju Maharaj has successfully toured nearly all over the world including USSR, USA, Japan, UK, France, Germany, Italy, Austria, Czechoslovakia, China, Burma and Ceylon. A measure of his genius is the fact that at the age of 28 years, he received the prestigious Sangeet Natak Academy Award. He is also recipient of the India's second highest civilian award (Padma Vibhushan) along with several other prestigious awards as Kalidas Samman, Nritya Choodamani, Andhra Ratna, Nritya Vilas, Soviet Land Nehru Award, Rajiv Gandhi Peace Award and many more. He is widely acclaimed not only as a performer but also as an inspiring 'Guru' - teacher, having successfully trained many students in India and abroad.
Pandit Birju Maharaj along with his 5-member professional Company will work in unison at these workshops. Live music will accompany the workshops and will be provided by world class musicians from the Company.
Workshop details:Day, date and time: Hourlong workshops for children and adult will be held on Thursday and Friday evenings (6:30 - 7:30 pm) on October 29 and 30.
Location: The studio of the Ritz Theater, 345 13th Avenue, NE in Minneapolis
Fee: 1-hr. class for 2 days - a total of $502 hr. classes for 2 days - a total of $90Tuition is due by October 20. Make check payable to Katha dance Theatre and mail it to Katha Dance Theatre5444 Orchard Avenue, NorthCrystal, MN 55429
Note that ONE-DAY ONLY class will not be offered. Contact:Katha Dance TheatreInfo@kathadance.org763-533-0756www.kathadance.org

[Non-text portions of this message have been removed]

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Kathak dance workshop by Pandit Birju Maharaj

---------- Forwarded message ----------
From: RITA MUSTAPHI <RITAMUSTAPHI@msn.com>
Date: Thu, Oct 15, 2009 at 5:10 PM
Subject: [india-town] Kathak dance workshop by Pandit Birju Maharaj
To: india-town@yahoogroups.com


 


RARE OPPORTUNITY TO ATTEND KATHAK DANCE WORKSHOPS FOR 2-DAYS ONLY, CONDUCTED BY THE LIVING LEGEND PANDIT BIRJU MAHARAJ FROM NEW DELHI, INDIA
Katha Dance Theatre is proud to announce the upcoming workshops by none other than the living legend of Kathak dance, the one and only Pandit Birju Maharaj.
Kathak dance form traces its origins to the nomadic bards of ancient northern India, known as Kathakaars, or storytellers. They performed in village squares and temple courtyards, mostly specialized in recounting mythological and moral tales from the scriptures, and embellished their recitals with hand gestures and facial expressions. It was quintessential theatre, using instrumental and vocal music along with stylized gestures, to enliven the stories. With the advent of Mughal culture, Kathak became a sophisticated chamber art. Patronized by art loving rulers, the practitioners of Kathak worked at refining its dramatic and rhythmic aspects, delighting elite audiences with their mastery over rhythm and the stylized mime. The technique of Kathak today is characterized by fast rhythmic footwork set to complex time cycles. The footwork is matched by the accompanying percussion instruments such as tabla and pakhawaj, and the dancer and percussionists often indulge in a virtuoso display of rhythmic wizardry.The dance movements include numerous pirouettes executed at lightning speed and ending in statuesque poses. The interpretative portion, based on tales of Radha and Krishna and other mythological lore, contains subtle gestures and facial expressions. Lucknow, Banaras and Jaipur are recognized as the three schools, or gharanas, where this art was nurtured and where the interpretative and rhythmic aspects were refined to a high standard.
Born in the family of hereditary dancers, Birju Maharaj is the torch bearer of the famous family, Kalka- Bindadin Gharana of Lucknow, which has been serving the art of Kathak dance through centuries. Pandit Birju Maharaj is a complete artist as he is a dancer, choreographer, composer, poet, painter, singer and also a superb drummer. He has given a new dimension to Kathak dance, by experimenting this technique in the application of dance-dramas, that has become very successful as a medium for mass propagation. Pandit Birju Maharaj has successfully toured nearly all over the world including USSR, USA, Japan, UK, France, Germany, Italy, Austria, Czechoslovakia, China, Burma and Ceylon. A measure of his genius is the fact that at the age of 28 years, he received the prestigious Sangeet Natak Academy Award. He is also recipient of the India's second highest civilian award (Padma Vibhushan) along with several other prestigious awards as Kalidas Samman, Nritya Choodamani, Andhra Ratna, Nritya Vilas, Soviet Land Nehru Award, Rajiv Gandhi Peace Award and many more. He is widely acclaimed not only as a performer but also as an inspiring 'Guru' - teacher, having successfully trained many students in India and abroad.
Pandit Birju Maharaj along with his 5-member professional Company will work in unison at these workshops. Live music will accompany the workshops and will be provided by world class musicians from the Company.
Workshop details:Day, date and time: Hourlong workshops for children and adult will be held on Thursday and Friday evenings (6:30 - 7:30 pm) on October 29 and 30.
Location: The studio of the Ritz Theater, 345 13th Avenue, NE in Minneapolis
Fee: 1-hr. class for 2 days - a total of $502 hr. classes for 2 days - a total of $90Tuition is due by October 20. Make check payable to Katha dance Theatre and mail it to Katha Dance Theatre5444 Orchard Avenue, NorthCrystal, MN 55429
Note that ONE-DAY ONLY class will not be offered. Contact:Katha Dance TheatreInfo@kathadance.org763-533-0756www.kathadance.org

[Non-text portions of this message have been removed]

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"Glorious Ragas of the Morning" - Baithak - Sun, Oct 18, 10AM - Pranab Biswas


Begin forwarded message:

From: "tabaliya" <tabaliya@yahoo.com>
Date: October 14, 2009 2:43:02 PM CDT
To: india-town@yahoogroups.com
Subject: [india-town] "Glorious Ragas of the Morning" - Baithak - Sun, Oct 18, 10AM - Pranab Biswas

 

You are cordially invited to this Concert of Morning Ragas.
We will have an exquisite Hindustani Vocal Concert of
Morning Ragas by the young and sensational Pranab Kumar Biswas,
a protégé of Ustad Nissar Hussain Khan, Ustad Rashid Khan and
Pandits Rajan & Sajan Mishra.

RSVP requested.

Several clips of Pranab Biswas may be previewed on YOUTUBE.

What: "Morning Ragas Baithak" by Pranab Kumar Biswas (Hindustani Vocal)
When: Sun, Oct 18, 10 AM sharp!
Where: Pangea World Theater Studio, 711 W Lake St Ste 101, Mpls, 55408
Donation: $10 - $20 (sliding scale - no other discounts)
Further Info: Pavan (612-508-3716) or Pooja (612-709-1263)

Accompanists: Matt Rahaim (Harmonium), A. Pavan (Tabla)

Artist Bios:

Pranab Kumar Biswas (Vocal)

After a steady grooming from his father, Pranab Kumar Biswas
started his musical training from Sri Dilip Roy. Then, he went
on to receive intensive training from Ustad Rashid Khan of
Calcutta for many years. He later became a disciple of Ustad
Nissar Husain Khan, the legendary Maestro of the Rampur
Sehaswan Gharana. After Khan Sahib's death, Pranab migrated
to Delhi in his quest for learning. He came in contact
with Padma Bhushan Pandit Debu Chaudhari, who gave him
valuable guidance. He was introduced to Sarfaraz Hussain
Khan, the illustrious son of the late Khan Sahib, to carry
on his training in the same Gharana.

In the mean time, Pranab earned a name for himself as a bright
rising star on the horizon. He was selected for a
National Scholarship by the Government of India for his
exceptional talent. He went on to become a regular artist for
All India Radio. He successfully completed his M.Phil in music
from Delhi University. He has charmed audiences with his
melodious & powerful performances in various places in USA,
India & Bangladesh.

Pranab has lately been training under the regular guidance of
the renowned Pandits Rajan & Sajan Mishra of the Benares Gharana.
He has developed a new dimension to his style by blending the best
of both, the Rampur Sehaswan and Benares Gharanas.

Matt Rahaim (Harmonium)

Matt Rahaim has been studying Hindustani vocal music (Gwalior
Gayaki) since 1996. His Guru (since 2000) is Pandit Vikas
Kashalkar of Pune, India. He has also received vocal training
from Rita Sahai, Warren Senders, Shafqat Ali Khan, and Mohan
Darekar. On harmonium, he has accompanied singers such as
Pt Parameshwar Hegde, Srivani Jade, and Mukul Kulkarni.

Matt is currently a Visiting Assistant Professor of Music and
Asian Studies at St. Olaf College, Northfield, MN. Matt obtained
his Ph.D in Music (Ethnomusicology) from the University
of California, Berkeley in 2009. The topic of his
thesis was "Gesture, Melody, and the Paramparic Body in
Hindustani Vocal Music."

Matt loves teaching, and is dedicated to the liberal arts
tradition. His research interests include the melody of gesture,
the history of the harmonium, the phenomenology of singing,
Gregorian chant, medical ethnomusicology, evolutionary narratives
of music history, devotional performance, and simulogue. He
has taught Indian music, Western Art music, American music,
and religion at Berkeley and Stanford, as well as high
school science, music, and liberal arts.

A. Pavan (Tabla)

A. Pavan is a regular figure in the Twin Cities music circles as
a Tabla player and teacher. Pavan has trained in Tabla under
several masters since 1978. Presently he trains with Sri
Rajendra Nakod in Bangalore and Ustad Shabbir Nisar in Hyderabad.
He has performed for Katha Dance Theater, Pangea World Theater
and Indian Music Society of Minnesota (IMSOM) in several
productions and concerts. Pavan also appears on recordings
of world/fusion music with MN based artists. Since 1999, Pavan
has been providing instruction to a number of Tabla students.

In 2002, Pavan co-composed (with MN based Veena artist
Nirmala Rajasekar), the score for Pangea World
Theater's production "Partitions", at the Playwright's Center
in Minneapolis. In June 2006, he co-composed the score for
Pangea World Theater's follow-on play "The Partition Project"
with Pooja Goswami. Pavan performed with the St. Paul
Chamber Orchestra in Dec 2006. In March 2009 Pavan co-composed
the score (along with Pooja Goswami, Vlad Milenkovic and Dave
Tiede) for Katha Dance Theater's production "Angika", staged at
the Ritz Theater in Minneapolis.

Pavan has served in IMSOM as President (1997 – 2001) and is
presently an active advisor. He holds a Ph.D from the University
of Minnesota in Computer Science and works for an Aerospace
company.

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[india-town] Telluric Currents - Indo-Fusion group - Wed, Oct 14, 7:00PM, St Paul

Wish I could go.

---------- Forwarded message ----------
From: tabaliya <tabaliya@yahoo.com>
Date: Tue, Oct 13, 2009 at 10:05 AM
Subject: [india-town] Telluric Currents - Indo-Fusion group - Wed, Oct 14, 7:00PM, St Paul
To: india-town@yahoogroups.com


 

Friends,

I have the pleasure of playing a concert with the full "Telluric Currents" group (an Indo-fusion project with Hindustani vocal, tabla, percussion and bass) THIS Wednesday, October 14 at the St. Paul Highland Library. Details...

WHAT:
Telluric Currents: A Concert of East/West Acoustic Fusion
Greg Herriges - guitar, bouzouki
Pooja Goswami - vocal
A. Pavan - tabla
Troy Berg - percussion
John Wright - bass, guitar

A FREE concert presented by Friends of the St. Paul Public Library

WHEN:
Wednesday, October 14
7:00 pm

WHERE:
The Hillcrest Auditorium at Highland Park Library
1974 Ford Parkway
Saint Paul, MN

The same group will also be playing at Oak Center on Oct 24 and Minnesota State University (Mankato) on Oct 25. Visit www.gregherriges.com for more info.

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[OTUG_TwinCities] OTUG Distinguised Lecture reminder - Dr. David West


Begin forwarded message:

From: "Jason" <jasontitus@spamcop.net>
Date: October 12, 2009 3:36:54 PM CDT
To: OTUG_TwinCities@yahoogroups.com
Subject: [OTUG_TwinCities] OTUG Distinguised Lecture reminder - Dr. David West
Reply-To: OTUG_TwinCities@yahoogroups.com

 

Folks,

This is a reminder that the Distinguished Lecture will be this week on Wednesday. Details are on the OTUG site if you haven't already heard about Dr. David West's presentation. Please RSVP if you plan to attend so we can get enough pizza.

I hope you are as anxious about the presentation as I am, and I look forward to seeing you there.

Jason

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Kids having a fun time at Chanhassen Fire Station open house

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#NFJS was a blast! Here is why

Hello all,

Just a brief ( or maybe not so brief) update. Stephen Thompson and I attended the NFJS conference - it was a blast and am very impressed the quality and intimacy in the conference. I highly recommend it. We had hmmm... maybe 70-100 attendees? (Stephen, what do you think?) ; not sure but perhaps I am not too much off.

Anyway, I got to say something about OTUG and the upcoming Dave West lecture. There were a few attendees who did know about OTUG and I got to introduce our group and have encouraged people to join us.

Like Markus Silpala in Agile 2009, I was a bit disappointed at not being able to attend all the sessions - almost all were valuable and interesting. The tyranny of choice was oppressing.

I tweeted with the #nfjs hashtag. It was a balance in paying attention and emitting useful information. So, if you are curious about some of the stuff, follow the tag (before long) on twitter. If you don't like my tweets, good luck , since not a whole lot of people tweeted. Wakup Minneapolis and St.Paul we need to climb up the tweetem pole... come on! Just we are from the Midwest does not mean we need to be laggards at everything should we?

Stephen and I attended Brian Sletten's talks on Sunday about RESTful architecture and Semantic Web. He will be writing a series of articles on InfoQ  and I highly recommend paying attention to him. He has internalized REST to an outstanding degree. The best thing about his knowledge about REST I found is that he has grown beyond being a bigot about it.  He uses REST as a baseline architecture for building out Tim-Berner Lee's vision of the "data web" - the original web Tim wanted to build.  The stuff he had to show - was dumb-founding - ok magical. The data-web or a.k.a Semantic Web is coming together very, very fast. I worry that I am already late to the party. I was astounded to find that BestBuy is already experimenting with it.  Needless to say, if you are one of the group members there or know of how I can reach them, please let me know - I want to get in touch with them.  Brian Sletten is also contemplating writing a book on Semantic Web Services ( which I think is freaking cool ). I will be bugging him just like I constantly bug David Hussman on his book. (nudge, nudge, David).

Talking about David Hussman - his talk about Personas and Story Maps is totally on the mark of how to think about how to go about releasing the features-that-matter. So, seek out what he has to say about them, and engage in the conversations that are being generated on the practical agility forum and gatherings. Unlike you guys, I am going to be applying them to my other small-business - since it is equally applicable there!

I also attended a couple of presentations by Scott Davis - both enjoyable and insightful . One particular session was about the Lizard Brain Design . The lizard brain is that which we cannot control (...and thankfully so, if we were able to, I am told, I would be too dead to write this note ) - which is according to our own Nate Schutta ( OTUG lecturer on utilizing our brain effectively ) - most of our brain. The statistics and the information Scott shared on what is actually effective in the modern web world - sent some shivers down my spine that if what he says is true, then I better start learning how to adapt to the new way of how users/customers are using our applications. The fact that users browse my beautiful writing or web pages for not more than 3 seconds - is very humbling.

Talking about Nate ( I can call him by first name, having snagged him for OTUG ), I don't want to get on the wrong side of him. Ever. He is frighteningly witty and can give a lot of grief. I missed Nate's talks too - like I said - there was way too many good sessions. Parallel is good, but boy until human-cloning is invented or until we have figured out how to exist in multiple places at the same, time, I selfishly would like to influence the serialization of the sessions. Hmmm.. maybe I will scheme up something of March next year. If you attended his OTUG lecture, I am sure he single-handedly drove you to self-improvement... if not attend his talks and you will know what I mean. Hopefully he will hang out at OTUG a bit more and if he does, engage in a conversation with him.

David Geary 's demo on GWT was quite informative. Knowing that Google Wave is written in GWT, and having programmed in Java Swing and JFC for quite a while, it seemed a good fit. The promise of not having to deal with Javascript is quite appealing - although I have a nagging doubt if it is still the right way to do things - but like anything else, I have told myself that I need to verify that for myself by trying it out. David was to me what Dronacharya was to Ekalavya (google that story)- except that I am not so talented, nor did David ask me for my thumb. It was funny - David is a very quiet speaker. So, quiet in fact that Stu from the adjoining room was much more clearer than David in that room :)

Matthew McCullough talked about iPhone development and Maven ( for which he got quite a bit of grief). But there was enough discussion to whet my appetite and curiosity to try out Maven.  I could not attend Matt's sessions. Matt is quite incisive - and I do plan to be following what he has to say - he is bringing pretty fresh ideas to the tour.

Keynote speaker Venkat Subramaniam had a lot to say about how we, the humans, the people,  have to reflect on our own deficiencies and strive to make a business successful. Too often we blame our tools, or management and wring our hands in frustration that "we were not allowed to do it". His message was very clear, we have the power and if we have the intent, we usually are clever enough to get our way. We have to start with the belief and the understanding. His message reminded me of what David West used to say " Do the right thing".  A profound message but very, very hard to difficult.  I really liked Venkat's message of starting as simply as possible - one unit test ; or one hello world at new languages.  By the way, his wit is extremely sharp - as sharp as his programming skills - Do not incur his wrath!

Ted Neward  was/is a pretty witty speaker and his talk on Java 7 features was pretty good. Java has reached a point where the language itself might be reeling under its weight but the platform will live due to the prolific spawning of new languages on the JVM .  I found his analysis and presentation on the issues pretty sharp and incisive. I wished I could attend his session on Functional Programming in Java - since that is something we all can do right away.

Ken Sipe 's talks on Architecture and productivity issues were outstanding. He is a high-energy speaker with pretty strong views of productivity. His  7 habits of productive programmers ( maybe I paraphrased the title a bit) was very good. All his points were right on and having worked with outstanding developers - his points are right on. So, if you have a chance to hear him out next time, do not miss him.  I have also heard that he will be writing or is in the process of writing a F### book. 

Stuart Halloway was as usual full of Clojure, Retrospectives and more Clojure.  Now that I will have to maintain Clojure for real ( mostly written by this master himself) - I better get a hang of it. Stu is a lot of fun. Very bright and insightful - to hang out with him is a good experience. I am impressed with his breadth of knowledge. Talking about hanging out - that is one of the most rewarding gems about NFJS . If you want you can really approach and talk to them. And if you are really smart ( ask me privately and I will tell you the secret) you can monopolize your time with them.

Mike Nygard decided that he will speak at JAOO and lieu of NFJS.  I missed his talk.  If you see what he has to talk about at JAOO, he is talking about some neat stuff that most of us should be paying attention to.  I hope some of the new talks he will do is How to measure anything in software and How to apply Theory of Constraints in software.

There are a lot of other stories to write - but heck I was exhausted after the 2.5 days of technology injections. Dealing with business problems and mushy political and social issues at the work place and drawing big pictures and even bigger pictures - it was a great investment and a jolt into what the hell is really going on. Since the morning, I am going through a ton of material - as fast as I can. The return on investment is tremendous - no travel, no hotel. World-class speakers coming to speak to me; in my city. Now, when I reflect on that - that is priceless. As you can tell, I am absolutely thrilled I attended - the conference itself is so well managed, like any beautiful process, the process was never visible - only its effects.

I will be doing it again in March. I hope to be attending with many of you!

(and no, I am not being paid to do this. I just happened to have joined the tribe - Seth Godin should use NFJS as the shining example of the applicability of his book on Tribes. He happens to be speaking today here in Minneapolis, and am bummed that I did know about it! Or if you did - that you did not pass that meme to me).

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